Tuesday, April 30, 2019

Colour Corrections and Spot Removals


Some examples of my colour corrections and spot removals:

Original - No editing done, it's too yellow and needs the lighting adjusted.


Toned down the yellow by adding blue (temperature).


Using the adjustment brush I highlighted the top part of the image where the light is and brought the exposure of that part down to make it look more evenly lit.


Before and After.


Original - No editing done, I want to remove the random yellow mark.


Using the spot removal tool I am going to clone part of the grey bit and place that over the top of the yellow mark to remove it.


Edited - The mark has been removed, I also added more of a green tint to the image to even out the pink tones.


Before and After.


Before and After - Using the spot removal tool I was able to remove the white mark from the corner of image that was caused by a bend in the negative.


Before and After - I added more blue to even out the yellow tones (temperature) and I added more pink to even out the green tones (tint).


Before and After - I have added more blue to even out the yellow tones (temperature) and I have adjusted the lighting to make the overall image brighter.


Monday, April 29, 2019

Final Photoshoot Contact Sheet


This is my final photoshoot for the project. I had full access to the depot and I was allowed to walk around unaccompanied, however, I chose to have Reece accompany me round the depot so that he could take the light meter readings for me whilst I set up the tripod and changed the camera settings so that I could produce the best photographs of my chosen destinations. I spent quite a lot of time carefully composing each image, this involved setting down the tripod and focusing it, changing angles, moving closer or further away from my subjects and refocusing, some people may see that as being "OCD" but I wanted to make sure that the angles, lighting, framing and composition was exactly how I wanted it before taking the photographs. My next step is for me to go through each image making any colour corrections or removing any dust or marks ready for the final selection process.






Third Photoshoot Contact Sheet (Colour Film)


Again, after another review with my tutor, he felt that this project would be best suited if it was shot in colour and upon reflection of the previous shoot I very much agree with his opinion. It was good for me to be able to try it in black and white first to see if that was the aesthetic that I was aiming for, however, it just felt too dark and it didn't really fit (in my eyes) with my chosen subject matter. I also felt that the vibrancy and warmth of the colours that are displayed in and around the depot alongside the companies iconic colour scheme of green, blue and yellow should be showcased throughout the project. The lighting in the depot is quite dark which caused the light meter readings to have really low f.stops and shutter speeds, I didn't have a tripod so some of the images have become blurry as a result of poor lighting and no tripod. At this point I know exactly what areas of the depot I am going to photograph in my final shoot but I will make sure that I rent out a tripod to overcome these issues.







Second Photoshoot Contact Sheet (B/W Film)


After having a review with my tutor, he suggested that I use a Medium Format film camera for the rest of the project as he felt that it would help with the framing and composition of my photographs. I chose to use the Hasselblad medium format camera as it was the piece of equipment that I was most familiar with, this particular medium format camera shoots in a 6x6 film format (a square format) which is the exact framing that I am looking for, I also really like how the photographs look after they have been developed. I chose to shoot this set of images on a black and white film as I wanted to see the effect that it would give to my photographs and I wanted to test whether it was the right way to continue with the project.





First Photoshoot Contact Sheet (Digital)


This was my first photoshoot at the Arriva bus depot in Maidstone, I was given a guided tour by my partner Reece who is an accident repairer for the company. I wanted to use this time to get to know my way around the depot and I chose to use my DSLR so that I could take some initial shots of some areas that I might want to rephotograph in a later shoot. I was given access to the whole of the depot which was very positive in terms of the project as it meant that I could explore every part of the work place which ensured that I could gain any information that I needed about the company as well as having the access to photograph key areas such as the pits in the work shop or any of the outside equipment.













Friday, April 26, 2019

My Starting Point

My starting point for the project was to take an initial visit to the depot with my DSLR camera, I wanted to use this time to have an in depth tour of the working environment so that I could get used to the layout in terms of where everything is and it also gave me a chance to meet some of the staff and get acquainted with the company and its daily runnings.

My partner Reece is an accident body repairer for the company so he was put in charge of giving me the guided tour around the depot, I was told that after the first initial tour I would be allowed to go to the depot anytime I wanted (providing it was a weekend) and that I would then be allowed to walk around the site unaccompanied in order to take photographs for the project.

I wanted to spend the whole day there so that I could have the tour in the morning and then use the afternoon to walk around and play with lighting and angles; I also wanted to use that time to explore the site on my own and photograph things that most people would overlook such as the empty office rooms upstairs or the chassis pit the hardly ever gets used.

When taking photographs I kept in mind the manifesto that we wrote in class and stuck to it for the entire shoot: